You'll get a few minor but significant quality-of-life changes which include a shared inventory for your characters to exchange loot from D2R Items, an automatic gold pickup, and - now that the game is now console versions, well-implemented gamepad support. However, this is only the beginning of what developers have allowed themselves in fear of altering its character overly. It's still Tetris in a tiny grid of inventory.
It's still time to run to your corpse, empty handed and with your full of heart, to retrieve your armour, weapons and money when you pass away. You're browsing through a catalog of public games with garbled titles such as ONLYDURIELPLS at the entrance, if you'd like to play online.
You're still limited to one respec per difficulty level . And if you end up with a character style you don't love following that, then tough. This purist attitude is certainly the right choice, however it's an expense beyond the realm of game balance and difficulty.
For instance, local co-op gaming on consoles, which is a delight in Diablo 3, has sadly was not implemented in Diablo 3 since it would have stretched the game too far beyond its limits. Actually it would require an entirely different approach.
To comprehend why it's important to look under the hood of this remarkable remake. Luckily, Blizzard has allowed you to do this with one button click, instantly revealing the game's appearance in 2000 . It was pixelated high-resolution, grainy and, in a way, two-dimensional.
It's not a remake in the traditional meaning: the game's initial assets, updated or redrawn for higher-quality playability on the most modern hardware. Also, it's not exactly it's a remake, with the contents from the original game rebuilt from scratch, to more or less of accuracy, with an entirely new engine.
It exists as the latter, but only as a dumb 3D audiovisual overlay, which mimics its output from the original game 2D game logic operating underneath D2R ladder items buy. You are playing the exact game you're playing. Your detailed, 3D avatar reaches out to strike the monster next to her but it's those chunky pixels underneath (or rather, the maths under them) that decide whether or it connects.
